Blooming Tree Against Sky

This series was compared to the poetry of Robert Frost, by "The Exposure Project"

  •   $100
    | 11"x14"
      Edition of 150
  •   $250
    | 16"x20"
      Edition of 50
  •   $500
    | 20"x24"
      Edition of 25
  •   $1,000
    | 30"x40"
      Edition of 5

The prints you receive are archival, chromogenic prints on a semi-matte paper with a longevity of 100+ years under normal light conditions.

The quoted dimensions refer to the paper size, and not the size of image contained within the paper. Each image is printed with a minimum 1/4" border to allow for framing, and ships with a Certificate of Authenticity signed by the artist.

Michael Cardinali
Blooming Tree Against Sky, 2010
from the series Boston’s Emerald Necklace

I’m sometimes reminded that renewal requires survival, and that hope exists not far from desperation. I photographed this cork tree in April of 2010. The pale flowers and clouds, offset by the dark slash of the trunk and dormant neighboring trees, seem to me to speak to these joys and struggles.


The everyday wilds encountered by a city dweller often amount to a space shaped at least as much by hands as by nature's impulses. The beauty of public parks and green spaces that may at times seem effortless, often hides the underlying mechanics of toil and care. The Emerald Necklace is one of the country's oldest series of parklands. It exists as a chain of parkways and waterways stretching 1,100 acres from the hub of Boston's Back Bay to the outlying neighborhoods of Roslindale and Roxbury. Its history reveals a visionary creation, overdevelopment, neglect, and renewed efforts at restoration and maintenance.


Moving to Boston four years ago from New York City, I was intrigued by this incongruous swamp with a city growing out of it. Passing through an eclectic commingling of roads and traffic, community gardens, birds and mud, I eventually arrived at the Arnold Arboretum. At the southern end of the Emerald Necklace, this 265-acre tract of land is home to the most diverse collection of trees in the United States. It is the country's oldest public arboretum, the garden of gardens.


Over the past two years, I have been photographing this area with a large-format camera. I am continually struck by how this land is brought to a kind of order through a combination of rivers and plumbing, hills and stonewalls, mulched footpaths and untameble lowland swamps. It's a complicated place where order and unencumbered growth exist atop one another, reflecting the way we live in a dance between different, if not entirely opposite forces.


Read more about it in the related blog post!

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